Bhairav
Bhairav thaatEarly morningVadi: dSamvadi: r
Open in ComposeAroha (ascending)
SrGMPdNS'
Avaroha (descending)
S'NdPMGrS
Pakad (characteristic phrase)
GMd~d~PGMr~S
Bhairav is the thaat-defining raga of its parent scale and one of the archetypal morning ragas, traditionally performed at sunrise. It uses komal Re and komal Dha alongside otherwise shuddha notes, a combination that gives it a solemn, devotional character often associated with temple music. Both flat notes are typically treated with andolan — a slow, deliberate oscillation — rather than struck plainly. The pakad marks this with `~`, which is a notation marker only: the oscillation itself is a performance technique this site's playback doesn't reproduce. As with any raga, finer phrasing conventions vary by gharana.
Learn the theory
- The thaat system — how Bhairav and the other nine parent scales work
- Vadi and samvadi — what the pillar notes above actually mean
- Aroha and avaroha — why the ascent and descent above aren't always mirror images